Trinity Signs Uncover Ties

Trinity Signs Uncover Ties

Vasil Tomov

 

            The five illustrations presented show how signs reveal unknown relationships and can help restore history.

The combination of varieties T.27.a and T.27.b in a zigzag shape with parallel lines in the form of hatching (thirty groups of ternary signs are represented by Ill. No. 2, http://new.chronologia.org/tomov/tomov.php ).

Early Neolithic pottery
Illustration No. 1. Early Neolithic ceramics. Bulgaria.
VІ thousand BC [Nikolov 2002: 5].

Suspension

Pendant ornament
Illustration No. 2.
Pendant. Bulgaria. Keramus DA Ltd. Photograph of the author.

Vase
Illustration No. 3. Wedding vase. South America.
Indiansummer.com ]

Three-legged table
Illustration No 4.
Three-legged table. Kenya, Africa.
Photograph of the author. [Gallery:].

The position of the belt and the Cover of the Virgin

Illustration No. 5.
„Belt position and Intercession Presv. Theotokos ”on the gates of the Suzdal Cathedral.
Russia. The first half of the 13th century. [Tolstoy 1899: 71]

Some clarifications to Illustration No. 5:
– N.N. Olgoblin writes that the Siberian Ostyaks at the beginning of the XVII century. they used single “oblique lines” – “special signs that made great sense for the Ostyaks who had fled” [Olgoblin:]. Several oblique lines naturally have a magnifying effect. In a particular combination, the inclined lines fill the sign “cup”, which probably leads to a general increase in the energy of the whole combination;
– other ternary signs are visible on the left side of the icon painting.
Illustration No. 5 in connection with the rest of the Illustrations allows us to conclude on the basis of two premises:
– it is known that “under Tsar Fedor Alekseevich Romanov in Russia … the famous” discharge books “containing the history of state appointments in Russia in the XV-XVI centuries were burned” [G. V. Nosovsky, A.T. Fomenko. Introduction:], i.e. the destruction of the story associated with the Rurikovich;
“In the two largest Kremlin cathedrals, almost at the same time, for some reason, a lot of work was done to BATT THE PLASTER FROM THE WHOLE SURFACE OF WALLS AND ARCHES. After which they were, therefore, RE-PLASTERED. And only then did new murals be painted on the new plaster.
It turns out that in the 17th century, both the Assumption Cathedral and the Archangel Cathedral were completely replaced by iconostases [553], p. 34; [552], p. 33. It is appropriate to recall here that at the same time, during the first Romanovs, many old Moscow white stone sarcophagi were also “damaged” [62] … during the first Romanovs, CLEANING OF ALL RUSSIAN LIBRARIES was conducted ”[G. V. Nosovsky, A.T. Fomenko. Chron4:]
Conclusion: The first Romanovs aimed to destroy all evidence of the Rurikovich, including all ternary signs associated with the essence. To a large extent they succeeded, but still they failed to destroy everything.

Illustration No. 6. The Neolithic Mother Goddess of Tripoli culture (12000 – 6000 years BC). Ukraine [omkara:].


Illustration No. 7. Martenitsa (fragment). Bulgaria.
Photograph of the author.


Illustration No. 8. The World’s Happiest Cities.
Rio de Janeiro, Brasil [world-happiest: slide 51].

Leave a comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.